Sacred Music for Flute

Beginning with a calm, reverent setting, these solos are expressive throughout. The middle section is somewhat freer in melodic presentation with the solo treated more as an obbligato line. The quiet ending

This solo begins with non-thematic material setting up the mood of the piece. The theme is then introduced in a back-and-forth format between the instrument and accompaniment. It then continues with an

A traditional early American hymn scored for a medium-advanced instrumental soloist. A good choice for communion and other special moments during a worship service.

Traditional setting, slightly contemporary- begins with piano in a motif of the theme. The first section is a stylized rendition of the theme. Then, it continues in the chorus much the same.  A

This solo begins with a easy lilt underpinned by a gentle accompaniment. Moving into the second section of the piece the tune is embellished in a variation format of chromatic triplets. It repeats

Written in typical passacaglia (theme in the bass line) and Fugue fashion, the theme is presented in the piano.  The first variation is a gently modified tune in duple with the accompaniment in